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X-WR-CALDESC:Events for BRAID UK
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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250807
DTEND;VALUE=DATE:20250901
DTSTAMP:20260405T205627
CREATED:20250611T093924Z
LAST-MODIFIED:20250611T105226Z
UID:3582-1754524800-1756684799@braiduk.org
SUMMARY:Tipping Point: Artist Responses to AI
DESCRIPTION:An exhibition of new art commissions presenting seven outstanding UK-based artists aimed at exploring and enriching the responsible AI ecosystem through artistic expression\, and premiered for the 2025 Edinburgh Summer Festivals. \nTipping Point explores how artists can help us more wisely respond to the present realities and near-future horizons of Artificial Intelligence (AI). Featuring seven newly commissioned artworks from across the UK\, the exhibition presents new ways of thinking about today’s AI\, the futures we want and the communities needed to build it. Artists include Louise Ashcroft\, Julie Freeman\, Wesley Goatley\, Identity 2.0\, Rachel Maclean\, Kiki Shervington-White\, Studio Above & Below. \nCommissioned artworks\, which range from digital installations to sculptural interventions\, zines and comedy sketches\, are set to address themes that reimagine AI uptake\, inspire activism and resilience\, and showcase artistic creativity in the field. These themes align with BRAID’s mission to build public awareness\, break down structural barriers in AI\, and reimagine responsible AI perspectives and practices\, providing a platform for artists to share their visions and for audiences to reflect on the role of AI in our society. \nRepresenting more than an exhibition\, the project is a step towards better\, more thoughtful conversations about the future of AI in our lives\, and we look forward to working with the artists across the year to bring these conversations to life. \nExhibition Details \nDates: Mon-Sun\, 7 – 31 Aug\, 2025\nTime: 10:00 – 17:00 | Free/Drop-In\nLocation: Inspace\, 1 Crichton St\, Newington\, Edinburgh EH8 9AB \nThis art commissioning programme is funded by the Arts and Humanities Research Council (AHRC) and delivered by BRAID in partnership with Inspace at the Institute for Design Informatics\, with support from Better Images of AI. \nImage credit: Hanna Barakat  & Archival Images of AI + AIxDESIGN / https://betterimagesofai.org / https://creativecommons.org/licenses/by/4.0/
URL:https://braiduk.org/event/tipping-point-artist-responses-to-ai
ATTACH;FMTTYPE=image/png:https://braiduk.org/wp-content/uploads/2025/06/HannaBarakat-ArchivalImages-of-AI-AIxDESIGNWireBound-1280x889-1-e1749639109323.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250808T120000
DTEND;TZID=UTC:20250808T140000
DTSTAMP:20260405T205627
CREATED:20250611T101247Z
LAST-MODIFIED:20250611T104549Z
UID:3590-1754654400-1754661600@braiduk.org
SUMMARY:Crafting Resistance: A Zine-Making Workshop on Everyday Activism Workshop
DESCRIPTION:Join us for ‘Crafting Resistance\,’ a drop-in\, hands-on zine-making workshop designed to archive your everyday moments of resistance and inspire you to find new ways to critically engage with and resist the unwanted and pervasive incursion of artificial intelligence into various aspects of our lives. This interactive session will guide you through the process of creating your zine and allow us to reflect on the importance of documenting and sharing modes of resistance. \nThe workshop draws inspiration from Identity 2.0’s collaboration with a diverse range of activists for their featured project\, Issue: 404. \nThis workshop is free\, with activity taking 10-20 mins. Book your place here to secure your spot or just drop-in if you prefer. Participants with tickets are guaranteed entry and drop-in will be on a first come first served basis if capacity is full. \nCrafting Resistance: A Zine-Making Workshop on Everyday Activism Tickets\, Fri\, Aug 8\, 2025 at 12:00 PM | Eventbrite \nFacilitators: Savena Surana and Arda Awais from Identity 2.0 \nDate: Fri 8 August 2025\nTime: 12:00 -14:00 | Free/Drop-in\nActivity Duration: Approx. 10-20mins\nAudience: Age of 12 + (anyone under 18 should be accompanied by an adult) \nLocation: Bayes Centre\, 47 Potterrow\, Edinburgh EH8 9BT \nVenue Access Info: Bayes Centre | AccessAble \nDate: Fri 8 August 2025\nTime: 12:00 -14:00 | Free/Drop-in\nActivity Duration: Approx. 10-20mins\nAudience: Age of 12 + (anyone under 18 should be accompanied by an adult)\nLocation: Bayes Centre\, 47 Potterrow\, Edinburgh EH8 9BT\nVenue Access Info: Bayes Centre | AccessAble \n  \nThis workshop is one of a series of events begin held as part of the Tipping Point: Artist responses to AI exhibition. \nTipping Point: Artist Responses to AI – BRAID UK
URL:https://braiduk.org/event/crafting-resistance-a-zine-making-workshop-on-everyday-activism-workshop
ATTACH;FMTTYPE=image/jpeg:https://braiduk.org/wp-content/uploads/2025/05/itentity-20-e1749638739629.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250808T120000
DTEND;TZID=UTC:20250808T140000
DTSTAMP:20260405T205627
CREATED:20250611T102209Z
LAST-MODIFIED:20250611T130126Z
UID:3598-1754654400-1754661600@braiduk.org
SUMMARY:Comedic Tools for Grappling with AI
DESCRIPTION:Join us for ‘Comedic Tools for Grappling with AI\,’ an interactive workshop led by comedy-adjacent artist Louise Ashcroft\, which explores the potential for humour and speculative design to shine light on present-day societal issues. Using the current proliferation of AI hype as a backdrop\, the workshop will encourage acts of community resilience and empowerment through collaborative brainstorming and hands-on activities. Come along to create and prototype your own whimsical AI gadgets using paint\, drawing\, and simple model-making techniques. \nThis workshop is free. Book your place here: \nComedic Tools for Grappling with AI Tickets\, Fri\, Aug 8\, 2025 at 12:00 PM | Eventbrite \nFacilitator: Louise Ashcroft \nDate: Fri 8 August 2025\nTime: 12:00 -14:00 | Free/Ticket | Registration is preferred\, but drop-ins are also welcome\nAudience: Age of 12 + (anyone under 18 should be accompanied by an adult)\nLocation: Bayes Centre\, 47 Potterrow\, Edinburgh EH8 9BT\nVenue Access Info: Bayes Centre | AccessAble \nThis workshop is one of a series of events begin held as part of the Tipping Point: Artist responses to AI exhibition. \nTipping Point: Artist Responses to AI – BRAID UK \n 
URL:https://braiduk.org/event/comedic-tools-for-grappling-with-ai
ATTACH;FMTTYPE=image/jpeg:https://braiduk.org/wp-content/uploads/2025/06/BRAID-stills-2-scaled-e1749646876620.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250808T150000
DTEND;TZID=UTC:20250808T203000
DTSTAMP:20260405T205627
CREATED:20250625T140239Z
LAST-MODIFIED:20250625T140239Z
UID:3682-1754665200-1754685000@braiduk.org
SUMMARY:Artist Panel & Exhibition Opening
DESCRIPTION:Book your ticket here\nARTIST PANEL\nRe-envisioning creative and critical engagement with AI through art \nSpeakers: Wesley Goatley\, Rachel Maclean\, Kiki Shervington-White\, Studio Above&Below \nDate: Fri 8 August 2025\nTime: 15:00-16:30 | Free/Ticketed\nLocation: Bayes Centre\, 47 Potterrow\, Edinburgh EH8 9BT\nVenue Access Info: Bayes Centre | AccessAble \nJoin us at the Bayes Centre for a dynamic panel discussion featuring artists Wesley Goatley\, Rachel Maclean\, and Kiki Shervington-White. Collectively\, their works delve into the intersections of historical technological advances and contemporary AI developments\, employing critical and speculative design\, installation\, interactive art\, community engagement\, and filmmaking. These artworks are not only designed to inspire us creatively but also to challenge us politically. How can art best serve as a powerful tool for empowering our creativity while critically exploring and advocating for more responsible\, sustainable\, and ethical futures in technology? \n\n\n\n\nOPENING RECEPTION\nDate: Fri 8 August 2025\nTime: 18:00-20:30 | Free/Ticketed \nLocations:  \nInspace\, 1 Crichton St\, Newington\, Edinburgh EH8 9AB [Fringe Venue 574]\nG.07 at Informatics Forum\, 10 Crichton St\, Newington\, Edinburgh EH8 9AB [Fringe Venue 422]\nVenue Access Info: Inspace | AccessAble and Location | School of Informatics \nJoin us at Inspace and Informatics Forum\, to meet the artists behind the work and for the opening reception of Tipping Point: Artist Responses to AI\, and Authenticity Unmasked: Unveiling AI-Driven Realities Through Art\, celebrating and presenting two captivating exhibitions featuring ten new art commissions from the Bridging Responsible AI Divides (BRAID) art commission programme and BRAID funded project Cultivating Responsible Engagement with AI Technology to Empower Creatives (CREA-TEC)\, for the 2025 Edinburgh Art Festival and Edinburgh Festival Fringe. \nThis evening reception features artworks by artists Louise Ashcroft\, Julie Freeman\, Wesley Goatley\, Identity 2.0\, Rachel Maclean\, Kiki Shervington-White\, Studio Above & Below at Inspace and artworks by Georgia Gardner\, Kinnari Saraiya\, dmstfctn at Informatics Forum. \nJoin this event to discover how artists are opening up new perspectives on AI\, envisioning desired futures\, and exploring the communities essential for shaping them. \n\n\n\n\nPlease book the tickets for the events you would like to attend. If you have any enquiries about the events and the venue\, please contact us at designinformatics@ed.ac.uk . \n\n\n\n\nImage credit: Rare Metals 2 by Hanna Barakat & Archival Images of AI + AIxDESIGN \nwww.hbarakat.com\naixdesign.co/posts/archival-images-of-ai \n\n\n  \nBook your ticket here
URL:https://braiduk.org/event/artist-panel-exhibition-opening
LOCATION:The Bayes Centre\, The University of Edinburgh 47 Potterrow\, Edinburgh\, EH8 9BT\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://braiduk.org/wp-content/uploads/2025/06/https___cdn.evbuc_.com_images_1040599063_1148936930953_1_original-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251124T103000
DTEND;TZID=UTC:20251124T160000
DTSTAMP:20260405T205627
CREATED:20251106T162444Z
LAST-MODIFIED:20251106T162444Z
UID:3798-1763980200-1764000000@braiduk.org
SUMMARY:Openness and AI in culture\, arts and humanities: a BRAID roundtable
DESCRIPTION:Join us for a roundtable discussion to critically engage with the evolving intersections of openness\, AI\, and cultural knowledge.\n\n\n\nIn the era of data-driven AI\, traditional notions of “openness” are being rapidly redefined. From Big Tech companies branding themselves as “open\,” to AI models that selectively disclose only parts of their systems\, claims of “openness” often obscure more than they reveal\, stretching or misapplying the term beyond its original meaning. \nIn cultural heritage\, academic and creative contexts\, “openness” has a long and celebrated history\, linked to values and practices of access\, transparency\, collaboration\, reuse and public benefit. From the OpenGLAM movement to Open Access publishing\, open source software and open research principles and practices\, communities have built infrastructures\, policies and workflows to promote openness\, supporting data-driven research\, creative reuse and public engagement. \nYet\, publicly funded and openly licensed datasets are increasingly being scraped into commercial AI systems without consent or attribution\, resulting in proprietary outputs that undermine the very spirit of openness that those datasets intended to promote. Legal developments like the EU AI Act add complexity by exempting so-called “open source” models without clearly defining “open.” This vagueness further enables “open-washing\,” allowing AI stakeholders -from data owners to developers- to evade true transparency by keeping critical components such as training data\, model weights\, and even outputs closed. \nYet\, openness should not be seen as a problem to be fixed or merely regulated\, but as an opportunity. Instead of merely mitigating the challenges of commercial AI systems\, or compromising our principles of openness\, we must reimagine the technical\, sociocultural\, and legal foundations of AI toward more transparent\, collaborative\, and ethically grounded future systems and practices rooted in openness. By investing in open\, community-driven AI infrastructures\, openly licensed datasets\, and open-source models\, we have an opportunity to build systems that serve the public good and foster innovation beyond the confines of dominant corporate platforms. These open and collaborative practices can also more meaningfully represent the interests of individuals\, researchers\, creative communities and cultural stakeholders beyond the classic remits of the creative industries\, but equally crucial for our cultural fabric. \nOpen-source\, community-driven AI is not just a technical initiative—it is a democratic one. It empowers researchers\, educators\, cultural practitioners\, activists\, and civil society to co-create a future where Responsible and Ethical AI is grounded in its true spirit: collaborative\, transparent\, and serving the public good. \nThis event will bring together researchers\, creators\, legal experts\, cultural heritage professionals\, activists\, and members of the open-source AI community to critically engage with the evolving intersections of openness\, AI\, and cultural knowledge and to re-imagine how a true open\, commons-based AI could be created. \nThis event is being organised by BRAID fellows Anna-Maria Sichani\, Paula Westenberger and Nick Bryan-Kinns. \nFind out more and register: Openness and AI in culture\, arts and humanities: a BRAID roundtable Tickets\, Mon\, Nov 24\, 2025 at 11:00 AM | Eventbrite
URL:https://braiduk.org/event/openness-and-ai-in-culture-arts-and-humanities-a-braid-roundtable
LOCATION:Ada Lovelace\, Nuffield Foundation\, 100 Saint John Street\, London\, EC1M 4EH
ATTACH;FMTTYPE=image/jpeg:https://braiduk.org/wp-content/uploads/2025/11/Openness-in-AI-Roundtable-Eventbrite-Horizontal-v02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260129T163000
DTEND;TZID=UTC:20260129T193000
DTSTAMP:20260405T205627
CREATED:20260108T144625Z
LAST-MODIFIED:20260113T134644Z
UID:3930-1769704200-1769715000@braiduk.org
SUMMARY:Felicity Hammond: END-OF-LIFE-SERVICE
DESCRIPTION:Stills\, in collaboration with BRAID (Bridging Responsible AI Divides) and Inspace\, will be hosting this experimental and playful event in the form of a funeral procession and an early evening wake where you are encouraged to explore the challenges of AI\, and to create and share your eulogies to it. \nThe event marks both the declared end-of-life of Artificial Intelligence and the final month of Stills’ current exhibition Felicity Hammond – V4: Repository – the final iteration of the artist’s Variations series\, commissioned through the Ampersand/Photoworks fellowship.
URL:https://braiduk.org/event/felicity-hammond-end-of-life-service
LOCATION:Inspace\, Inspace\, 1 Crichton Street\, Edinburgh\, EH8 9AB\, Edinburgh\, EH8 9AB\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://braiduk.org/wp-content/uploads/2026/01/2.-Felicity-Hammond-–-V4-Repository-Stills-Centre-for-Photography-2025-1-1536x1036-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260211T180000
DTEND;TZID=UTC:20260211T193000
DTSTAMP:20260405T205627
CREATED:20260108T150235Z
LAST-MODIFIED:20260108T150406Z
UID:3934-1770832800-1770838200@braiduk.org
SUMMARY:Technomoral Conversation: What’s the Story with AI? Exploring AI Narratives
DESCRIPTION:Join the latest event in the Technomoral Conversations series: What’s the Story with AI? Exploring AI Narratives and Counter-Narratives. Hear insights on the dominant narratives around AI and what alternative stories can and are being told about AI and its place in our futures. \nThe Technomoral Conversations series brings together leaders\, creators and innovators from academia\, technology\, business and the third sector in a ‘fireside chat’ format to discuss futures that are worth wanting. \nDuring this fireside chat\, we will hear critical insights from experts across academia and industry on the dominant narratives surrounding AI\, and what alternative stories can be and are being told about AI and its place in our futures. \nChaired by Dr Alex Taylor (University of Edinburgh)\, this Technomoral Conversation will feature Dr Abeba Birhane (Trinity College Dublin)\, Professor Louise Amoore (Durham University)\, and John Thornhill (Financial Times). \nThis event is a collaboration between the Centre for Technomoral Futures\, the Bridging Responsible AI Divides (BRAID) Programme and the Edinburgh Futures Institute. \nPlease note this is a hybrid event. \nThis event will be live-captioned. If you would like to attend with BSL interpreters\, please let us know by contacting the event organisers at ctmf@ed.ac.uk \nImportant notice: This event will be photographed/recorded\, and images may be used for future marketing\, promotional or archive purposes. If you would prefer not to be photographed\, please let organisers know at the event.
URL:https://braiduk.org/event/technomoral-conversation-whats-the-story-with-ai-exploring-ai-narratives
LOCATION:Edinburgh Futures Institute\, 1 Lauriston Place\, Edinburgh\, EH3 9EF\, United Kingdom
ATTACH;FMTTYPE=image/png:https://braiduk.org/wp-content/uploads/2026/01/Technomoral-Conversation-Whats-the-Story-with-AI-Exploring-AI-Narratives-and-Counter-Narratives-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260220T140000
DTEND;TZID=UTC:20260220T160000
DTSTAMP:20260405T205627
CREATED:20260113T134221Z
LAST-MODIFIED:20260113T134221Z
UID:3952-1771596000-1771603200@braiduk.org
SUMMARY:Authenticity & AI
DESCRIPTION:Authenticity & AI: Does the origin story of your work still matter? A workshop for musicians and music researchers exploring new questions around origins and originality in the era of ubiquitous machine-made music. \nAbout \nThe rise of AI in music is forcing us to confront the very nature of authenticity. What makes your music ‘yours’ when a machine can generate sounds that are\, on the face of it\, indistinguishable from a human creator? \nRecent developments in the area of Artificial Intelligence and music have brought a new focus on copyrights\, process\, technique and sonic identity. Alongside the rich possibilities for creative musical practices are new questions for creators and audiences. What do creators now need to share of their processes to explain the origins of their ideas and sounds? What do they feel is important for audiences to know about the provenance of their work? What do audiences want to know? How much should broadcasters disclose? What do composers/singer songwriters need to know about the origins of the materials they might be using in their work? How much is too much information? \nDo you feel AI places your creative identity at risk? Do you feel the authenticity of your work or process challenged? Will you divulge aspects of your practice which\, before the advent of AI\,you kept hidden?  Do you feel equipped to defend yourself against the threats you perceive? Or are these threats at all? \nIf you are a composer\, performer\, producer\, promoter\, record label\, youth worker\, community musician\, music student\, researcher\, audio software developer\, established creator or just starting out in the field\, we want to meet you in Edinburgh between 2 and 4pm on 20 February to talk about these issues and other challenges and opportunities in front of your creative practices and cultural contributions. \nFollowing the workshop\, there will be a panel discussion with positions offered from leading practitioners in the field of AI and music\, running 4:30-5:30pm. \nTo register interest in attending this event Please sign up here. \nPlease note that space is limited\, and participation will be allocated based on the order of registration and the information provided in the sign-up form\, to ensure that the event brings together attendees with a strong connection to the themes under discussion.  We are expecting dynamic and discursive contributions from participants. Refreshments will be provided and we can offer £10 in vouchers to help offset travel costs. \nThe workshop is part of the “Embracing the Complexities of Authenticity” project\, supported by the Bridging Responsible AI Divides Programme\, with funds received from the UKRI Arts and Humanities Research Council. The workshop is hosted by the Edinburgh chapter of the UNESCO Week of Sound. \nYou will be asked to sign a participant consent form at the start of the workshop\, please email cmoruzzi@ed.ac.uk if you would like to receive the form via email in advance.
URL:https://braiduk.org/event/authenticity-ai
LOCATION:Edinburgh College of Art\, 74 Lauriston Place\, Edinburgh\, EH3 9DF
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260324T140000
DTEND;TZID=UTC:20260324T160000
DTSTAMP:20260405T205627
CREATED:20260303T111152Z
LAST-MODIFIED:20260303T111939Z
UID:4117-1774360800-1774368000@braiduk.org
SUMMARY:Authenticity & AI in Moving Image
DESCRIPTION:The rise of AI in video and film is forcing us to confront the very nature of authenticity. What makes your moving image ‘yours’ when a machine can generate videos that are\, on the face of it\, indistinguishable from a human creator? \nThe rise of AI in video and film is forcing us to confront the very nature of authenticity. What makes your moving image ‘yours’ when a machine can generate videos that are\, on the face of it\, indistinguishable from a human creator? \nRecent developments in the area of Artificial Intelligence and media have brought a new focus on copyrights\, process\, technique and visual identity. Alongside the rich possibilities for new creative practices with video there are new questions for creators and audiences. What do creators now need to share of their processes to explain the origins of their ideas and the videos and films they make? What do they feel is important for audiences to know about the provenance of their work? What do audiences want to know? How much should broadcasters disclose? What do videographers/ editors/ producers need to know about the origins of the materials they might be using in their work? How much is too much information? \nDo you feel AI places your creative identity at risk? Do you feel the authenticity of your work or process challenged? Will you divulge aspects of your practice which\, before the advent of AI\, you kept hidden?  Do you feel equipped to defend yourself against the threats you perceive? Or are these threats at all? \nIf you are a videographer\, film maker\, editor\, director\, producer\, video artist\, media student\, media technologist\, researcher\, established creator or just starting out in the field\, we want to meet you in London between 2 and 4pm on 24 March to talk about these issues and other challenges and opportunities in front of your creative practices and cultural contributions. \nFollowing the workshop\, there will be a panel discussion with positions offered from leading practitioners in the field of AI and video. \nParticipation\nRegistration will close on March 16 at 5pm. Please note that space is limited\, and participation will be allocated based on the order of registration and the information provided in the sign-up form\, to ensure that the event brings together attendees with a strong connection to the themes under discussion.  We are expecting dynamic and discursive contributions from participants. Refreshments will be provided and we can offer £10 in vouchers to help offset travel costs. \nYou will be asked to sign a participant consent form at the start of the workshop\, please email cmoruzzi@ed.ac.uk if you would like to receive the form via email in advance. \nImage credit:\nElise Racine / Static / Licenced by CC-BY 4.0
URL:https://braiduk.org/event/authenticity-ai-moving-image
LOCATION:University of the Arts London\, 272 High Holborn\, London\, WC1V 7EY\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://braiduk.org/wp-content/uploads/2026/03/EliseRacine-Static-2560x1269-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260415T183000
DTEND;TZID=UTC:20260415T193000
DTSTAMP:20260405T205627
CREATED:20260303T113349Z
LAST-MODIFIED:20260303T114147Z
UID:4125-1776277800-1776281400@braiduk.org
SUMMARY:Truth\, Trust and Trickery in the AI Age
DESCRIPTION:Can you seek out what’s true in today’s tsunami of AI slop? Generative AI is prompting an information crisis as fakes and fiction flood social media and chatbot hallucinations pollute our news streams. We’ll help you navigate this new frontier of video\, image and language generation. In our interactive workshop you’ll learn from the BBC Blue Room about the latest tools and techniques and tackle dilemmas as a journalist in our pop-up newsroom. \nPresented by BRAID\, BBC R&D\, and The University of Edinburgh as part of Edinburgh Science Festival. \nImage credit: \nRose Willis & Kathryn Conrad / A Rising Tide Lifts All Bots / Licenced by CC-BY 4.0
URL:https://braiduk.org/event/truth-trust-and-trickery
LOCATION:The Bayes Centre\, The University of Edinburgh 47 Potterrow\, Edinburgh\, EH8 9BT\, United Kingdom
ATTACH;FMTTYPE=image/png:https://braiduk.org/wp-content/uploads/2026/03/RoseWillis-KathrynConradARising-Tide-Lifts-All-Bots-1280x852-1.png
END:VEVENT
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