BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//BRAID UK - ECPv6.14.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://braiduk.org
X-WR-CALDESC:Events for BRAID UK
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20260101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20260220T140000
DTEND;TZID=UTC:20260220T160000
DTSTAMP:20260423T182727
CREATED:20260113T134221Z
LAST-MODIFIED:20260113T134221Z
UID:3952-1771596000-1771603200@braiduk.org
SUMMARY:Authenticity & AI
DESCRIPTION:Authenticity & AI: Does the origin story of your work still matter? A workshop for musicians and music researchers exploring new questions around origins and originality in the era of ubiquitous machine-made music. \nAbout \nThe rise of AI in music is forcing us to confront the very nature of authenticity. What makes your music ‘yours’ when a machine can generate sounds that are\, on the face of it\, indistinguishable from a human creator? \nRecent developments in the area of Artificial Intelligence and music have brought a new focus on copyrights\, process\, technique and sonic identity. Alongside the rich possibilities for creative musical practices are new questions for creators and audiences. What do creators now need to share of their processes to explain the origins of their ideas and sounds? What do they feel is important for audiences to know about the provenance of their work? What do audiences want to know? How much should broadcasters disclose? What do composers/singer songwriters need to know about the origins of the materials they might be using in their work? How much is too much information? \nDo you feel AI places your creative identity at risk? Do you feel the authenticity of your work or process challenged? Will you divulge aspects of your practice which\, before the advent of AI\,you kept hidden?  Do you feel equipped to defend yourself against the threats you perceive? Or are these threats at all? \nIf you are a composer\, performer\, producer\, promoter\, record label\, youth worker\, community musician\, music student\, researcher\, audio software developer\, established creator or just starting out in the field\, we want to meet you in Edinburgh between 2 and 4pm on 20 February to talk about these issues and other challenges and opportunities in front of your creative practices and cultural contributions. \nFollowing the workshop\, there will be a panel discussion with positions offered from leading practitioners in the field of AI and music\, running 4:30-5:30pm. \nTo register interest in attending this event Please sign up here. \nPlease note that space is limited\, and participation will be allocated based on the order of registration and the information provided in the sign-up form\, to ensure that the event brings together attendees with a strong connection to the themes under discussion.  We are expecting dynamic and discursive contributions from participants. Refreshments will be provided and we can offer £10 in vouchers to help offset travel costs. \nThe workshop is part of the “Embracing the Complexities of Authenticity” project\, supported by the Bridging Responsible AI Divides Programme\, with funds received from the UKRI Arts and Humanities Research Council. The workshop is hosted by the Edinburgh chapter of the UNESCO Week of Sound. \nYou will be asked to sign a participant consent form at the start of the workshop\, please email cmoruzzi@ed.ac.uk if you would like to receive the form via email in advance.
URL:https://braiduk.org/event/authenticity-ai
LOCATION:Edinburgh College of Art\, 74 Lauriston Place\, Edinburgh\, EH3 9DF
END:VEVENT
END:VCALENDAR